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We Irish, born into that ancient sect
But thrown upon this filthy modem tide
And by its formless spawning fury wrecked
Climb to our proper dark, that we may trace
The lineaments of a plummet measured face
- W.B. Yeats, ‘The Statues’

Since we have been given the admonition to avoid the conquest, as there will be sorra’ galore soon enough, I will instead contain myself to elucidating the archaic qualities of the Irish, which for me represent examples of a world-view worth conserving and transplanting. First we will look at the Megalithic culture of the Atlantic coast of Europe and contrast it with the Iron age Celtic culture as seen in the Táin Bó Cuailnge. The most vital bit of information I discovered in Every Earthly Blessing relates how the saints were associated with the Druidic and Poetic schools, and consequently often used the leitmotifs, of these ancient ‘technicians of the sacred’ in their own hagiographic constructions. This consequently makes the Irish church and its patrons much closer to the Indo-European Paganism eradicated on the Continent by the Roman Church. The survival of this religious caste and its corpus into the 17th century, in both the manuscripts of the Irish Monasteries and the poetics of the Bardic Order, gives us an opportunity to reconstruct aspects of the Gaelic world-view prior to it being tossed in the boiling cauldron of the European Nation States. Much of the material we have on the religious castes of Ireland comes through the less then objective lens of their conquerors and would-be conquerors. Consequently we have a shadowy and biased view of them, especially the much-maligned final leg of their tripartite organization, the Vates or Seers. Yet in looking at them we can discern both the reason for their dismissal and their importance in the transition from archaic shamanism.

I

Isle a ho boys, let her go boys
swing her head round into the weather
Isle a ho boys, let her go boys
sailing homeward to Mingulay
-traditional (Casey Neill Trio), ‘Mingulay Boat Song’

Along the Atlantic seaboard of the European continent from Ireland to the Mediterranean islands of Malta are megalithic structures, which mark the steps of a migration of people from the cradle of civilization to the very periphery of the farthest Western shores. The purpose of these monuments, often described as communal burial tombs, remains an ambiguous assertion. Some call attention only to their contents of bones and material remains and maintain they were tombs for an elite social order. While others interpret their placement and architecture and suggest they are astronomical observatories designed to measure the solar year and thus act as an agricultural calendar. Some suggest that their purpose was more religious and the Winter Solstice ritual at Newgrange, or Brugh na Bóinne, in the interaction of dark and light, cave and sunbeam, the sacred marriage of the chthonic: feminine earth and the luminescent masculine sky is enacted.
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