Celtic Otherworld

THE SILVER BRANCH AND THE GOLDEN BOUGH

To enter the Otherworld before the appointed hour marked by death, a passport was often necessary, and this was usually a silver branch of the sacred apple-tree bearing blossoms, or fruit, which the queen of the Land of the Ever-Living and Ever-Young gives to those mortals whom she wishes for as companions; though sometimes, as we shall see, it was a single apple without its branch. The queen’s gifts serve not only as passports, but also as food and drink for mortals who go with her. Often the apple-branch produces music so soothing that mortals who hear it forget all troubles and even cease to grieve for those whom the fairy women take. For us there are no episodes more important than those in the ancient epics concerning these apple-tree talismans, because in them we find a certain key which unlocks the secret of that world from which such talismans are brought, and proves it to be the same sort of a place as the Otherworld of the Greeks and Romans. Let us then use the key and make a few comparisons between the Silver Branch of the Celts and the Golden Bough of the Ancients, expecting the two symbols naturally to differ in their functions, though not fundamentally.

It is evident at the outset that the Golden, Bough was as much the property of the queen of that underworld called Hades as the Silver Branch was the gift of the Celtic fairy queen, and like the Silver Bough it seems to have been the symbolic bond between that world and this, offered as a tribute to Proserpine by all initiates, who made the mystic voyage in full human consciousness. And, as we suspect, there may be even in the ancient Celtic legends of mortals who make that strange voyage to the Western Otherworld and return to this world again, an echo of initiatory rites–perhaps druidic–similar to those of Proserpine as shown in the journey of Aeneas, which, as Virgil records it, is undoubtedly a poetical rendering of an actual psychic experience of a great initiate. (p. 337)

In Virgil’s classic poem the Sibyl commanded the plucking of the sacred bough to be carried by Aeneas when he entered the underworld; for without such a bough plucked near the entrance to Avernus from the wondrous tree sacred to Infernal Juno (i. e. Proserpine) none could enter Pluto’s realm. 1 And when Charon refused to ferry Aeneas across the Stygian lake until the Sibyl-woman drew forth the Golden Bough from her bosom, where she had hidden it, it becomes clearly enough a passport to Hades, just as the Silver Branch borne by the fairy woman is a passport to Tír N-aill; and the Sibyl-woman who guided Aeneas to the Greek and Roman Otherworld takes the place of the fairy woman who leads mortals like Bran to the Celtic Other-world. 2

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Comments (2) to “Celtic Otherworld”

  1. I know this story, it differs from this, only in one way. It is a Welsh legend and not Irish. Even tho the Irish came on the scene later. Makes sence, seeing that the Welsh are the Celts, and the Irish are Gaelic/Manx. A lot of Wales`s scripts where either destroyed by the English or where hidden by Welsh royalty that lived in Ireland. Ireland & Scotland have also stolen a lot of the Welsh history to use as their own. Rhiannon was a Welsh princess who was abused by her husband (Irish noble), she managed to get word back to her father, hence war. And so the story begins.

  2. Umm…the Irish are Celts as well. Irish speak q-Celtic and Welsh speak a LATER form of p-Celtic…since it is based on linguistics (and the early mainland Celts spoke q-Celtic)…the Irish are most definitely Celts.

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